so. after returning from komodo, we set out to explore the rest of the island of flores. like all the islands of indonesia, it's volcanic; a long, narrow strip of rugged mountains blanketed by fertile volcanic soil, which makes for very lush plant life: thick green banana trees and palms, forestier trees like cinnamon and teak, tangly rainforest undergrowth, and lots of crops as well. all the rice paddies are terraced sharply into the hillsides as there is very little flat land, and due to this they grow more of other crops such as potatoes, peanuts, and taro, which are less demanding of a level playing field.
this also means that travel across the island is arduous, at best: what looks like a short hop across the map is in reality an interminablly winding journey marked by endless, endless hairpin turns up and down and around the contours of each and every hump of land. first you brace yourself with your left hand/leg, then your right....for hours. people get sick. a lot. geography is the biggest determining factor in indonesia. it keeps cultures distinct and preserved over relatively short distances. it keeps the economy--and the resources-- centered on the main island, java, while everybody else is left to founder in increasing degrees of primitivity and poverty. and it keeps a lot of tourists from venturing too far off the beaten track.
the most accessible long-haul transportation option is the public bus. these are battered old behemoths, with treadbare tires, cushionless, busted seats, semi-functional windows, and clown-car capacity. each one has a 'boy' hanging out the door, whose job it is to endlessly shout out the destination to the pedestrains of indonesia (each of them); to collect fares, to oversee the continual repacking of luggage on top of the bus, and to blow an endless stream of cigarette smoke into the faces of those trapped within. the aisle is lined with crates or little plastic stools for that keystone row of passengers. bags of rice are commonly chucked in and serve as additional seating. the children are generally more well-behaved, if less conscious, than the poultry. people are mashed in to the bursting point--the bus can be stopped at the wave of a hand by anyone along the way who wants a ride. the younger men sit on the roof, until it rains or they need a cigarette lit (because who can go an hour without one? no one on this island!), at which point they too cram inside to fill the air with clove-cigarette smoke. stops are made for meals, for chatting with the driver's friends, for picking up untoward pieces of luggage like 16 truck tires or an entire restaurant display cabinet, and roping them dubiously to the back/top/sides--and then more stops are made to tie them back on when they fall off. it's an experience! a twelve hour one, in this case.
we arrived to the town of bajawa in the pouring, pelting rain of midafternoon. it's a rather nondescript, gloomy mountain town, with a perfect-coned volcano towering over it, and sometimes visible through the blanket of clouds. we decided to spend a day here to let our spines recover from the bus ride and to allow a good twenty four hours for blood to return to our pounded butts. bajawa is known as a base from which to explore the traditional villages of the local tribes, and so the next day we hired a guide and a couple of motorbikes to do just that. he took us, most notably, to a small village that was a walk away from even the nearest road. this probably sounds awfully condescending, but i was really impressed by the extent to which people here have managed to retain their traditions against the temptations of western culture. satellite dishes they may have, but they live in a village which looks virtually unchanged from time untold. it was set in a square around a large open space, tiered up the hill, all the houses facing inward. they were built with native timber and high thatched roofs in designs strictly dictated by tradition, and our guide explained to us many of their beliefs and practices, including the carvings on each house, the ancestor worship and the totems they maintain to represent those ancestors, and little fetishes on their roof-peaks. also they practice animal sacrfice for all occaisons of note, and keep the dried jawbones of sacrificed pigs and buffalo hanging on their porches as a symbol of each family's prosperity and devoutness.
as it just so happens, we were right on time for a pre-marital pig sacrifice. i was impressed with the non-chalance with which is was carried out: a few words were said as the pig rooted contentedly in the weeds, and then he was tied up to shrieks of protest. rather unceremoniously, i thought, the chosen guy hacked him across the skull with a big machete, and that was that: snap some photos, on to the next village. one surprising thing about the people of flores is, in a mulim country, they are christian. it's an odd mix of christian tradition and their own pre-existing animistic beliefs, most obviously evidenced by the graves in the center of the villages and in front yards with their almost-western style headstones. and the churches right across the island. in many places where religions have spread from abroad, the diety is transfigured to reflect local physical characteristics--for example, a chinese and a thai buddha look entirely different--but not so with jesus. he's still white, put-upon-looking, and blue-eyed to boot. that was the most disturbing aspect of it all for me, not so much that religion has been successfully proselytized here (which is bad enough) but that the people of flores are worshipping a white guy.
to be continued...